FESTIVAL DE CANNES 2008 CLOSING CEREMONY

 
The official Jury of this 61st Festival de Cannes, presided over by Sean Penn, revealed this evening the Prize winners during the closing Ceremony.  Édouard Baer hosted Robert de Niro on the stage of the Grand Théâtre Lumière to award the Palme d’or to the best film among the 22 in Competition. Barry Levinson’s closing film What Just Happened? starring Robert De Niro, Sean Penn and Bruce Willis, was screened at the end of the ceremony.
 
ALL THE 2008 AWARDS
 
IN COMPETTION - FEATURE FILMS
 
Palme d'Or
ENTRE LES MURS de / by Laurent Cantet
 
Grand Prix
GOMORRA de / by Matteo Garrone
 
Prix du 61e Festival de Cannes / Prize of the 61st Festival de Cannes ex-aequo
Catherine Deneuve dans / for UN CONTE DE NOËL de / by Arnaud DESPLECHIN
Clint Eastwood pour / for L’ÉCHANGE (The Exchange)
 
Prix de la mise en scène / Award for the Best Director
ÜÇ MAYMUN (Three Monkeys / Les Trois Singes) de / by Nuri Bilge Ceylan
 
Prix du Jury / Jury Prize
IL DIVO de / by Paolo Sorrentino
 
Prix d'interprétation masculine / Best Performance for an Actor
Benicio Del Toro dans / for CHE de / by Steven SODERBERGH
 
Prix d'interprétation féminine / Best Performance for an Actress
Sandra Corveloni dans / for LINHA DE PASSE de / by Walter SALLES, Daniela THOMAS
 
Prix du scénario / Award for the Best Screenplay
LE SILENCE DE LORNA de / by Jean-Pierre et Luc DARDENNE
 
 
IN COMPETTION - SHORT FILMS
 
Palme d'Or
MEGATRON de / by Marian Crisan
 
Prix du Jury / Jury Prize
JERRYCAN de / by Julius Avery
 
 
CAMERA D'OR
 
HUNGER de / by Steve McQueen (Un Certain Regard)
 
Mention Spéciale Caméra d'Or
VSE UMRUT A JA OSTANUS (Ils mourront tous sauf moi) de / by Valeria Gaï GUERMANIKA (Semaine Internationale de la Critique)
 
 
UN CERTAIN REGARD
 
Prix Un Certain Regard - Fondation Gan pour le Cinéma / Un Certain Regard Prize
TULPAN de / by Sergey Dvortsevoy
 
Prix du Jury / Jury Prize
TOKYO SONATA de / by Kurosawa Kiyoshi
 
Coup de Coeur du Jury / Heart Throb Jury Prize
WOLKE 9 de / by Andreas Drese
 
Le K.O. du Certain Regard / The Knockout of Un Certain Regard
TYSON de / by James Toback
 
Prix de l'espoir / Prize of Hope
JOHNNY MAD DOG de / by Jean-Stéphane SAUVAIRE
 
CINEFONDATION
 
Premier Prix de la Cinéfondation / First Cinéfondation Prize
HIMNON (Hymne) de / by Elad Keidan (The Sam Spiegel Film and TV School, Israël)
 
Deuxième Prix de la Cinéfondation / Second Cinéfondation Prize
FORBACH de / by Claire Burger (La fémis, France)
 
Troisième Prix de la Cinéfondation / Third Cinéfondation Prize
STOP de / by Park Jae-ok (The Korean Academy of Film Arts, Corée du Sud)
KESTOMERKITSIJÄT (Signalisation des routes) de / by Juho Kuosmanen (University of Art and Design Helsinki, Finlande)
 

BURBERRY AND GWYNETH PALTROW

 

Gwyneth Paltrow wearing Burberry Spring Summer 2008 jewellery at Cannes Film Festival, France to present her movie "Two Lovers"
 
 
 
 
 
 
 
 
 
 

 

CINEMA MASTERCLASS BY QUENTIN TARANTINO

May, 22nd, 2:30 pm, Debussy Theatre
 
“I want to make movies, I have to make movies. The reason I don’t make more movies is that I want to live life in between.”
 
Following in the footsteps of Martin Scorsese in 2007, and also Stephen Frears, Nanni Moretti, Wong Kar Wai and Sydney Pollack, Quentin Tarantino is invited this year to speak to the Festival's audience about his professional experiences as a filmmaker and screenplay writer.
 
Quentin Tarantino shot Reservoir Dogs in 1992. His second feature, Pulp Fiction, won the Palme d’or at the 1994 Festival de Cannes. In 1997, he directed Jackie Brown and then, in 2002 and 2004, the two first volumes of Kill Bill. He is currently preparing the continuation. After having presided over the Jury of the 2004 Festival de Cannes, he presented Death Proof in Competition in Cannes last year.
 
 

THE MYSTERY OF THE FESTIVAL POSTER UNVEILED 

 
Thursday evening, on the red-carpeted steps, the Cannes Festival will be revealing the artist who posed for David Lynch and whom the Festival chose as an emblem for its 61st edition.
 
A danser by profession, Anouck Margueritte currently works for the Paris Crazy Horse, famous throughout the world for its shows based on plays of light and shadow and body choreography ; a work on light, which reveals as much as it hides, similar to cinematographic composition.
  

NO SUBTITLES NECESSARY BY JAMES CHRESSANTHIS AT CANNES CLASSICS

 
Presented in the frame of Cannes Classics, which retains a particular place for documentaries on filmmaking, No Subtitles Necessary: Laszlo & Vilmos by James Chressanthis, will be screen on May, 22nd at 7:45 pm in the Buñuel theatre. The film follows the life of renowned cinematographers, Laszlo Kovacs and Vilmos Zsigmond, from escaping the 1956 Soviet invasion of Hungary to present day.
CANNES CLASSICS 2008

 

For the 5th year in a row, the Festival uses Cannes Classics to place the spotlight on rediscovered or restored masterworks from the past, or ones that have been re-released in theatres or on DVD. This programme is presented in the Palais des Festivals (in either the Buñuel theatres or Soixantième theatre) as well as at the Cinéma de la Plage and in the La Licorne Theater.

Cannes Classics 2008 is placed under the sign of Manoel de Oliveira to whom the Festival pays the most lively of tributes for his 100th birthday, by screening the first of his films DOURO, FAINA FLUVIAL (1931, 18’, Portugal) in the main Lumière theatre, and with Wong Kar Wai presenting ASHES OF TIME REDUX (1994, 120’, Hong-Kong) in the Debussy theatre.

Main event: LOLA MONTÈS by Max Ophüls

The Technicolor restoration of LOLA MONTÈS, directed by Max Ophüls in 1955, is to have its world premier, presented by the Cinémathèque française, on Saturday May 17th. Inspired by the scandalous life of Countess Landsfeld, known as Lola Montès, the film was Max Ophüls’ last work and his only film in colour.

Under Marcel Ophuls’ watchful eye, and benefiting from the technical expertise of François Ede – and thanks to theTechnicolor Lab., the Cinémathèque française set about restoring LOLA MONTÈS in its original version, giving back its colour, sound and original format, and thus providing this cult film with the possibility of amazing a younger audience as well as once again seducing all the people whose hearts it has already conquered. The presentation of the restored print is our way of paying homage to Max Ophüls who died in 1957, shortly after the film was released.

Documentaries about cinema

NO SUBTITLES NECESSARY: LASZLO & VILMOS (2008,105’, USA) by James Chressanthis. A documentary that tells of the journey and friendship of Laszlo Kovacs and Vilmos Zsigmond, the famous directors of photography from Hungary, who contributed to the golden age of Hollywood in the 70’s and 80’s.

THE CINEMA CINEMAS COLLECTION (104’, France, 1980-1990) by Claude Ventura. Two episodes chosen from the many hours of programmes filmed in the ‘80s.

“YOU MUST REMEMBER THIS": A HISTORY OF WARNER BROS” (120’, 2008, United States). Warner Bros. celebrates 85 years of film with this documentary by Richard Schickel, YOU MUST REMEMBER THIS, about the studio’s history. The programme will be accompanied by a "Warner screening" every night at the Cinéma de la Plage, including a one-off “Looney Tunes” event which will show off the Burbank company at its cartoon best.
 

 

 

 "Changeling"

by Clint Eastwood

 

Five years after premiering Mystic River at the Festival de Cannes, Clint Eastwood returns to Competition with Changeling, a thriller which takes place in the late 1920s in a working-class suburb of Los Angeles. Angelina Jolie stars as Christine Collins, a mother whose son Walter mysteriously disappears one day. After an intensive search effort lasting several months, a nine-year-old boy who says he is Walter is returned to her. Unfortunately, the boy is not her son. Christine, accused of being delusional and irresponsible, allies herself with a minister (played by John Malkovich). Together, they continue investigating the matter, eventually implicating the city's legal officials.
Based on a true story, the screenplay written by Joe Michael Straczynski immediately grabbed the attention of producers Brian Grazer and Ron Howard, as well as that of director Clint Eastwood. "I took it with me on a trip to Berlin," recalls Eastwood. "On the way back on the plane, I read it and I liked it a lot. As soon as I got in, I called Brian and Ron and said, 'Yeah, I'll do this.' And they said, 'Angelina Jolie liked the script and wants to do this.' I said, 'She'd be great. I like her work a lot.' And that's how it came about - very quick and simple." Clint Eastwood remarked, "Angelina Jolie is unique. She reminds me of a lot of the actresses from the Golden Age of movies in the 40s - Katherine Hepburn, Ingrid Bergman, Bette Davis, Susan Hayward, all of them. They were all very distinctive, and they all had a lot of presence. She's a tremendous actress."

 

Out of Competition: "Maradona by Kusturica" by Emir Kusturica

Emir Kusturica, the winner of two Palmes d’Or, for When Father Was Away on Business (1985) and Underground (1995), is back in Cannes for the out-of-Competition premiere of Maradona, a documentary about soccer's living legend. He had this to say about why he made the film: "The first reason is that I am one of the millions of people around the world who jumped with joy when he scored his two goals against England in 1986. That game exemplifies justice in the world for the first and last time. Argentina and Serbia are two countries who have been crushed by the IMF. Argentina and Serbia fight against the IMF, which is a Western power. Therefore, I feel a closeness with Maradona. Moreover, Maradona is very popular in Serbia, our football resembles that of the Argentinians. Sometimes it’s said that I’m the Maradona of cinema. The second reason is that I read some books that came out about him, some newspaper articles, I listened to the radio, and each time I found that the authors were not doing him justice."
From Buenos Aires to Naples, with a stop in Cuba, Emir Kusturica retraces the life of this uncommon man, from his humble beginnings to the summits of world fame - a superlatively spectacular rise followed by just as steep a decline. Kusturica explained, "A portrait is the truth. And yet, it’s exactly what I criticize in other films about Maradona: They use him to tell another story. In the end, they miss the impact that he had on the whole world. Maradona is a true story, there’s no need to add fiction."
 

A CANNES DITA VON TEESE PRESENTS AT NIKKI BEACH HER COCKTAIL 'COINTREAU TEESE'

The queen of burlesque Dita Von Teese, brand ambassador for Cointreau, last 20 may at Cannes for the Festival of Cinema, has presented at Nikki Beach her "flower cocktail" called: 'Cointreau Teese', with violet flower.
 

COINTREAU TEESE
with:
4 cl Cointreau
2 cl apple juice
1,5 cl violet Monin
1,5 fresh lemon juice
iced  ginger on the glass

 

 

 

 

 

 

Actors in Cannes

Sean Pean

 

American boxer Mike Tyson, center, arrives with American director James Toback, left, for the premiere of the film "Tyson"

 

 

 

 

 

American actor Adrien Brody, left, and Spanish actress Elsa Pataky   

Linda Evangelista, Afef JwifenBilly Zane  Kelly Brook

 

 

"Vicky Cristina Barcelona"

by Woody Allen

This 61st Cannes Festival is marked by Woody Allen's return to the Croisette to present his latest film, Vicky Cristina Barcelona, starring Scarlett Johansson, Penelope Cruz, and Javier Bardem, out of Competition. The quintessential Manhattan director is a veteran of the official selection, with Match Point (2005), Hollywood Ending (2002), New York Stories (1989), Radio Days (1987), Hannah and her Sisters (1986), The Purple Rose of Cairo (1985), Broadway Danny Rose (1984), Bonjour Monsieur Lewis (1982), and Manhattan (1979).
As its title indicates, the story is set in the sizzling Catalonian capital. Vicky and Cristina, two young Americans with different attitudes towards love, have come to spend the summer in the Spanish sunshine. They find themselves swept up in a surprising series of sexual adventures with a charismatic artist, Juan Antonio, who is still bound to his ex-wife, the impetuous Maria Elena...
"When I began writing the script," recalls Allen, "I had no other intention than to write a story in which Barcelona would be a key character. I wanted to spotlight a city I love a lot. In addition to its fabulous beauty, it is imbued with a very romantic atmosphere. Places like Paris or Barcelona are the only ones where a story like this one could be conceived."
Regarding the casting, Woody Allen explained: "From time to time, in my professional life, I meet an actress whose qualities inspire me. Scarlett is very intelligent, sexy, and gifted, and she can play a wide range of parts. She also has a sharp wit, and comes up with verbal inventions that dazzle me. As for Penelope, she is a force of nature, like Maria Elena. She's beautiful, and incredibly sexy in a way that is hers alone. And, of course, she's an amazing actress. Obviously, I had everything I wanted."

 

 

 

"Kung Fu Panda"

by John Stevenson and Mark Osborne

The fourth animated feature produced by DreamWorks and presented in Cannes, following Shrek and Shrek 2 (in Competition in 2001 and 2004) and Over the Hedge (Out of Competition 2006), Kung Fu Panda is about the adventures of Po, a panda who dreams of becoming a Kung Fu master. While Po is still just a rank beginner in the martial arts, he is forced to battle Tai Lung, an evil and cunning snow leopard driven by a desire for vengeance.
Directed by John Stevenson and Mark Osborne, the film brings together a brilliant cast of voices which includes Jack Black – who lends his voice to our engaging hero – Dustin Hoffman, Angelina Jolie, Ian McShane (the voice of villainous Tai Lung), Jackie Chan, Lucy Liu, and David Cross.
"With Kung Fu Panda, we wanted to create a timeless film," explains co-director John Stevenson. "We were really aiming to craft a film that had a timelessness to it - while the story is set in our version of ancient China, the tale doesn't only apply to those characters at that time. The greatest stories are timeless."
Mark Osborne added: "It was important to all of us, from the start, that Kung Fu Panda would have a theme, a positive message that we really believed in. We wanted it to be a fun experience loaded with comedy and great action."

 

"Indiana Jones and the Kingdom of the Crystal Skull"

by Steven Spielberg

Steven Spielberg, back in Cannes for the first time since the out-of-competition premiere of The Color Purple in 1986, creates a sensation today with the screening of the fourth feature in the series about his daredevil adventurer/archeologist, Indiana Jones and the Kingdom of the Crystal Skull. Harrison Ford, now 66, has again donned the famed leather jacket and fedora, bound this time for a tangle with the Soviets in the middle of the Cold War. Assisted by a rebellious young biker played by Shia LaBeouf, our hero takes off for Peru to hunt down a mysterious relic, the source of centuries of both fascination and fear: the Crystal Skull of Akator. Alas, a team of Soviet spies, led by the cruel Irina Spalko (Cate Blanchett), are also greedy for the treasure, for it is said that he who possesses the Skull and deciphers its riddles thereby becomes absolute master of the Universe. "We created Indiana Jones, but it belongs to the world,, says Steven Spielberg. And now we’re the custodians. Our job really is to serve up a huge helping not only of what Indiana Jones means to audiences who grew up with it, but to introduce the character to those who haven’t. This new film is for the fans. " Executive producer and co-story writer George Lucas continues, "The style is the same, the humor is the same. Everything feels the same. But we’ve also been able to build on it. The relationships we have on the set and the ones on the screen are stronger and better and more fun than they’ve ever been."
 

                        

 

Competition: "Gomorrah" by Matteo Garrone

Organized crime casts its shadow on the day, with Gomorrah, adapted from Roberto Saviano's bestseller about the Camorra, competing in the official Selection. This audacious dive into the heart of the Neapolitan underworld is directed by Matteo Garrone, who was at the Cannes Festival in 2002 with The Embalmer, selected by the Quinzaine des Réalisateurs.
"The raw material I had to work with when shooting Gomorrah," Garrone remarked, "was so visually powerful that I merely filmed it in as straightforward a way as possible, as if I were the passerby who happened to find myself there by chance. I thought this was the most effective way of reproducing the feelings I experienced during the time I spent making the film."
The result is a true story within a story of the workings of the Naples crime families. A single rule, a single tool: violence. A single language: the gun. A single dream: power. A single fulfillment: blood. We look in on a few days in the life of those who dwell in a world devoid of mercy. As clan wars rage over various illicit business operations, Gomorrah traces the interlocking destinies of several characters trapped in the infernal web of the Camorra.
 
 

 

Cannes Classics: "The Savage Eye" by Ben Maddow, Sidney Meyers, and Joseph Strick

The section Cannes Classics is dedicated to the discovery and re-discovery of works from the past. At 10:15pm tonight, a completely new copy of The Savage Eye will be presented, a film by Ben Maddow, Sidney Meyers, and Joseph Strick made in 1960. As the story goes, Judith McGuire is a young woman who recently divorced and is trying to make a new life for herself in Los Angeles. Via an inner masculine voice that assails her with questions, it is the solitude of a woman speaking to her, and the horrible feelings she holds against the chimera that America of the 50s has become. Accompanying this feature is the 22-minute My Lai Veterans in which director Joseph Strick looks at the trauma of the Vietnam War.

TRIBUTE TO MANOEL DE OLIVEIRA - May, 19th, 4 pm, Grand Theatre Lumière

 
On the occasion of Portuguese director Manoel de Oliveira’s 100th birthday, the Festival de Cannes will pay a tribute on Monday, May 19th, to the man who has been part of a century of cinema.
 
On the stage of the Grand Théâtre Lumière, in presence of Clint Eastwood and many other directors, the tribute will start with the screening of a film by Gilles Jacob: One day in Manoel de Oliveira’s life (9’). The director will then be presented with a Palme d’or for his life achievement. The event will end with the screening of his first film, Labor on the Douro River (18’).
 
The Portuguese director will attend the event with his wife and his grandson, Ricardo Trépa. They will be surrounded by Ms. Christine Albanel, Minister of Culture and Communication, Mr. Manuel Barroso, President of the European Commission, the European Ministers of Culture, Mr. Joao Bénard Da Costa, Director of the Portuguese Film Library and Michel Piccoli and his wife.

 

ASHES OF TIME REDUX BY WONG KAR WAI - May, 18th, 10pm, Debussy Theatre 

 
The Sixtieth Theatre will host tonight at 10pm, in Special screening, Ashes of Time Redux by Wong Kar Wai. The filmmaker will present himself this reworked version of his feature inspired in 1994 by Louis Cha's novel The Eagle-Shooting Heroes.
 
Actors Tony Leung, Carina Lau, Charlie Young and the cinematographer Christopher Doyle will also attend the screening.

 

61st  CANNES FESTIVAL , 14-25 MAY

Clint Eastwood has promised to finish his new film (Changelling) in time to take part in the festival
THE PANEL
President Sean Penn and  Sergio Castellito, Natalie Portman, Alfonso Cuajon, Apichatpong Weerasethakul, Alexandra Maria Lara, Rachid Bouchareb.
 
GUEST STARS
Sean Penn, Madonna, the superstar will be in  Cannes  for the Am Far gala party, Clint Eastwood, Wim Wenders, Steven Soderbergh, Woody Allen, Steven Spielberg, Emir Kusturica, Sergio Castellito, Catherine Deneuve, Harrison Ford, Cate Blanchett, Angelina Jolie and Brad Pitt, Benicio Del Toro, Penelope Cruz, Scarlett Johansson, Chiara Mastroianni, Dustin Hoffman, Julia Ormond, Diego Maradona, Mike Tyson
THE OFFICIAL SELECTION
LES TROIS SINGERS  Nuri Ceylane (Turkey)
LE SILENCE DE LORNA  Jean-Pierre and Luc Dardenne (Belgium)
UN CONTE DE  NOEL Armand Desplechin (France)
CHANGELING Clint Eastwood (U.S.A.)
ADORATION Anton Egoyan (Canada)
WALTZ WITH BASHIR Ari Folman (Israel)
LA FRONTIERE DE L’AUBE Philippe Garrel (France)
GOMORRA  Matteo Garrone (Italy)
24 CITY Jia Zhangke (China)
SYNECDOCHE,NEW YORK Charlie Kaufman (U.S.A.)
MY MAGOC D’Eric Khoo (Singapore)
LA FEMME SANS TETE  Lucrecia Martel (Argentina)
SERBIS Brillante Mendoza (Philippines)
DELTA Kornel Mundruczo (Hungary)
LINHA DE PASSE Walter Salles and Daniela Thomas (Brazil)
CHE Stevan Soderbergh (U.S.A.)
IL DIVO Paolo Sorrentino (Italy)
LEONERA  Pablo Trapero (Argentina)
THE PALERMO SHOOTING Wim Wenders (Germany)
Other competitions
VICKI CRISTINA BARCELLONA Woody Allen (U.S.A.)
LE BON, LA BRUTE, LE CINGLE Ji-Woon Kim (Korea)
KUNG-FU PANDA Mark Osborne and John Stevenson (U.S.A.)
INDIANA JONES ET LE ROYAUME DU CRANE DE CRISTAL  Steven Spielberg (U.S.A.)
Shorts
MARADONA Emir Kusturica (Bosnia)
SURVEILLANCE Jennifer Lynch (U.S.A)
THE CHASER Na Hong-jin (Korea)
Special selection
OF TIME AND CITY  Terence Davies (GB)
SANGUE PAZZO Marco Tullio Giordana (Italy)
C’EST DUR D’ENTRE AIME PAR DES CONS Daniel Leconte (France)
ASHES OF TIME REDUX Wong Kar-wai (Hong Kong)
ROMAN POLANSKI: WANTED AND DESIRED Marina Zenovich (U.S.A.)
The President's selection
THE THIRD WAVE Alison Thompson (U.S.A.)